But despite their elevated complexity, Gish’s songs undoubtedly still have an earworm quality. On “Sin Triangle,” her lilting voice intertwines itself with sauntering guitar riffs, backed by chords that are jazzier than one might have expected to find. “No Dogs Allowed” exhibits a unique melodic sensibility that makes Gish easy to separate from today’s crowded field of indie pop. ![]() Gish’s music feels much less indebted to the grimy indie rock championed by so many of her peers rather, her sound is more in line with idiosyncratic singer-songwriters like Fiona Apple and Ingrid Michaelson, but with a distinctly 2010s internet-kid flavor. Retaining the witty, endearingly self-conscious lyricism that made 2016’s “Ed Buys Houses” a favorite amongst Bandcamp connoisseurs, she takes a big step forward sonically with her newest album, “No Dogs Allowed.” The fairly straightforward pop songs of her previous album (which you might justly, if reductively, label as Frankie Cosmos look-alikes) give way to a more complex sound here, complete with rich harmonies, key changes and MIDI synths galore. She brings a youthful humor to her songwriting that is likely to charm most listeners. Though a relative newcomer, her self-released albums have quickly generated serious buzz in and beyond her local Boston scene. ![]() But in a marketplace flooded with Frankie Cosmos look-alikes, Gish’s particular brand of bedroom pop stands out.Ī Music Business major at Northeastern University, Gish has been writing songs since she was in middle school, but only began sharing them recently. Sound familiar? If you are at all in tune with the current indie du jour, then it probably does. ![]() Like a guitar-wielding lovechild of The Blow and Regina Spektor, 20-year-old Sidney Gish crafts catchy lo-fi songs with wry, self-deprecating lyrics.
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